TOP DOG PRESS

 

 

 

A Shape to Hang Things On

 

by Skian McGuire

 


        I have been thinking a lot about PTSD, this past year. I went through my own rendition of it the year I turned 30. With no insurance and not much money, I was pretty much on my own, so I read books about childhood abuse and made art, and I wrote some poetry. I had very few memories that could be called linear. Mostly what I had were pictures in my head that would not go away: an image of black-and-white tiles, such as might be found on the bathroom floor of a New York city apartment, spattered with a spray of what I knew was blood. The view from a dark space near the floor, which I guessed might be under a piece of furniture. A freeze-frame of my mother on the floor on her hands and knees, glaring at me, the scattered contents of a kitchen drawer around her. I had one audio memory, the yelp of a dog in pain. I had feelings of extreme uneasiness when someone stood on my left side, and I had recurring pain in my left shoulder. I had an extreme startle response, especially when awakened – I came up from sleep flailing, and it was not possible for me to sleep in the same room with my partner. She had to wake me by calling me from where she stood in the doorway. I had nightmares that apparently translated my feelings into scenarios that were by no means reality-based – one was set on my mental image of the starship Enterprise. I had (in the beginning) a horrible fear that I had gone crazy from grief, at having finally put down my old dog. Then I figured out what was going on, thanks to an accidental encounter with The Courage to Heal, and the fear that I’d lost my mind was replaced largely with depression, sometimes suicidal, so I had that instead. (My childhood abuse was not overtly sexual, but the mechanics of occluded memory seem to be the same regardless of the type of trauma. Occluded memory may be a bone of contention in the world of shrinks – thanks, Elizabeth Loftus, for all your ever-so-helpful help – but I know beyond any shadow of doubt that it’s real, thanks to some well-defined scars and absolutely no accompanying memory of how they got there.) So I had a lot of bits and pieces and feelings and images and symptoms and scars, but no story.

        I had good stuff, too. I had my partner and my dogs and the woods. I had a job that I had to go to, for the rent I had to pay that was already in arrears (from my period of unemployment while I went to massage school), so that we could keep a roof over the heads of ourselves and our animals, who could not accompany us if we got evicted and had to live with relatives – and these were, in fact, blessings that kept me anchored to the world. Someone needed me, so I couldn’t just descend into a black hole of self-absorbed misery and be consumed by it. I had to remain functional enough to take care of the ones I loved in at least a minimal way, which was life and death for them (the only shelter they might have gone to was a kill shelter). I would not allow that; something in me rose to their necessity, and it was my own salvation. I also had books to read and soon, a spiritual community that took me in. I withdrew from most social life, and friends drifted away, but I discovered that in spite of my wretched childhood, I had roots that were deep and values that were worth keeping from my working-class upbringing and my Irish-American culture. I had belief in my own strength and tenacity – at no time did I think I would be destroyed by what was happening to me, I just despaired that the pain was worth enduring. I had a lifetime of reading just about everything I could get my hands on, and a spotty and incomplete but Quality-with-a-capital-Q Seven Sisters education. I had a vivid imagination and a passion for metaphor. So, I didn’t have a story, but I had the means of creating one.

        For a long time, this troubled me – that the only story I might possess was the one I created out of the collage of bits and feelings, and that meant it wasn’t true, it was just something I made up. I tried to figure out what I did remember, really and truly. I wrote down the family stories I knew that might have any bearing on what happened to me. I tried to identify exactly what I was feeling in my body. I wrote all these things down on little tiny scraps of paper in different colors for the type of thing they were – memory or feeling or family story. I made a big poster board and glued all around the edges little pictures of dogs cut out from magazines, because these were both comforters and protectors and I needed them to save me from the other things I was gluing down. I wrote on other little scraps of paper, tiny things with tiny writing, all of them, all the things that I thought might have happened, but didn’t actually remember – things that the other scraps added up to. I wrote down the things I was afraid might be true. I glued little dogs in between all the other things, for extra protection. I still didn’t have a story. I wondered if I ought to try hypnotherapy in order to recover whatever might be buried in my subconscious. I decided I didn’t really want to know; that what I had figured out, if it was true, was plenty bad enough, and the horrors I was hiding from myself could damn well stay there. I made more art: a pop-up illustration of a poem made from photocopied WWII soldiers inhabiting a universe of blood-spattered tiles, with babies cut out from the ads in women’s magazines scattered about in the path of their guns and bayonets. I made drawings of the contents of the scattered drawer. I made a collage of things I remembered – a drawing of the Bronx tenement, more of those damn tiles, a photo of a black-and-white dog, Hershey wrappers, and many other things – and glued it onto tiles I sawed out of pressboard. On the other side, I painted a naked, faceless little girl. I hung the tiles in rows so that they could be turned and the parts of the girl could be like puzzle pieces mixed in with the parts of the childhood (it hung suspended so both sides could be seen). (This art was hung in a show for survivors of domestic abuse in Portsmouth, NH – I forget the year.) I still didn’t have a story, but I had metaphor, even if I didn’t understand it -- the naked faceless child and the puzzle pieces of memory.

        Among my reading of that time was a pair of wonderful memoirs by Mary Clearman Blew, and from her story of a sow and piglets marooned in a flood during her North Dakota childhood, which nobody else in her family remembered, I got this:

“What I remember is far less trustworthy than the story I tell about it.”


                                                                                            Mary Clearman Blew, All but the Waltz


        I began to realize that it didn’t really matter what happened. Even if I couldn’t remember the truth of my childhood, even if all I had was a story I made up out of the whole cloth, what mattered was what it felt like. The books I read about childhood abuse told me this, but it wasn’t until I read Mary Clearman Blew that I realized how little linear memory matters even in the telling of perfectly nice stories. Mary Karr’s musings on memoir and the discrepancies of memory in her work, The Liar’s Club (another wonderful book), reinforced this view. It doesn’t matter if my father was really responsible for my mother’s back injury, it doesn’t matter if I really witnessed the battering that might have caused it, the drawing I made of a faceless man in a white shirt and tie dragging an unconscious faceless woman out of the room was true. I felt that my father had crippled my mother – or at least, this is what she spent my childhood telling me. That’s what she wanted me to believe, and I did – it didn’t matter whether it was true (I suspect not, either literally or figuratively). I had created a metaphor, and metaphors are always true. They are always the deepest kind of truth there is.

        I spent my childhood and part of my adulthood reading about disasters, never understanding why they fascinated me so. In grade school, it was shipwrecks, one of which was the wreck of the Essex – a whaling vessel, as I recall, stove in by a whale, and the surviving crew drifted the Pacific in a whaleboat as they ran out of food and water. When one died, they ate him. When no one died, they drew lots and the one with the blackball put his head against the gunwale to be shot – or so they said. I read it as willingness to be the sacrifice that others might live (like Jesus who died on the cross, as the nuns who taught me catechism might have put it). I must have been aware at a subconscious level that there might be another story between the lines of the one the survivors told – I already knew that the strong can take what they want and make up excuses later. I know now that a ship at sea, isolated from the rest of the human world, was one way of looking at a family turned in on itself. A shipwreck can represent devastation in any form. The wreck of the Essex stuck so vividly in my mind (it was during sixth grade, I think – just about the time my mother’s abuse ended because I got to be as tall as she was) because it was the perfect metaphor for what had been happening to me, which I filed away in some hidden part of my mind where not even I could find it. What my family was doing to itself, what my mother had done to me, felt like that. It felt like cannibalism.

        In high school, I read about the Titanic (anyone interested in this as a metaphor should read Connie Willis’ novel, Passage). During and after college, I read about the Civil War, and Hiroshima and Nagasaki, and the Shoah. I kept reading about the terrible things humans did to each other – always brutality, never natural disasters – which kept getting bigger and more terrible. Now I wonder if the disasters I chose to read about got bigger because the internal pressure of the terrible things that had happened to me got harder and harder to ignore. I hadn’t recovered any memories yet, but they were there, coming closer and closer to the surface. It wasn’t just cannibalism, somewhere in the shadows where I couldn’t see, it was annihilation. It was the end of the world.

I can look back now and see that a chain of choices I made opened the way for my childhood abuse to come back, however partially, to my consciousness. I stopped drinking; I was no longer drowning the nightmares, and during this time, regular dreams came back, too. (I hadn’t remembered any dreams at all until then, except the occasional recurring nightmare that ended with me dying.) I started paying attention to these metaphors created by my subconscious mind, which were fascinating. I deliberately lost touch with my family, not understanding why I wanted no contact with my mother but knowing in a deep way that I could not go on with my life if I had to deal with her. Now I know that some part of me was making sure I was safe from my abuser. I went to massage school, which was a very strange choice, because until then, even hugging people had been very difficult. My repressed Irish-Catholic upbringing had not been conducive to touchy-feely-ness. (When I reconnected with my sister years later and filled her in on this period of my life, her reaction to the news that I had learned to do massage was a reflexive shudder -- “Ewwww!”) Somehow, I got massage in my head as something I wanted to do; I don’t even know where the idea came from. I learned massage by working on and being worked on by my classmates, and I remembered that I had a body. During that time, I also decided that, after years of being switchable but sticking pretty much to the top role as a matter of course, I wanted to bottom, and I wanted to bottom hard. I dove in head first.

        In roughly the same period, another thing that happened became a metaphor for me. Every day, I drove past a roadside pull-out next to the French King Bridge in Gill, and one day, there was a dog loose there. There were no parked cars that it might belong to, and the nearest houses were too far away for the dog to have come from one of those. It had to be stray. The highway was busy and dangerous, and I could not possibly have passed by without stopping to catch the dog and take it home (it had a collar and presumably, tags – I don’t think it was purposely dumped.) But the dog – a cocker spaniel – was extremely skittish. It wouldn’t come near me no matter how sweetly I called and offered cookies. It wouldn’t come near me when I sat down and waited. It wouldn’t be fooled by any of the tricks one might ordinarily use to catch a reluctant dog. It wouldn’t let me get closer than 30 feet. I finally gave up and went home to call the dog officer, who promised to go out and try to pick the dog up. I hoped she had some trick up her sleeve that I didn’t.

        The next day, the dog was still there. I tried again; again, no dice. I left all the cookies I had. I went home and called the dog officer again, who had no better luck than I did. Worried that the dog was hungry and thirsty, also, the only water being down a steep ravine, I went back with dog food and a bowl of water, which I left for the dog I still couldn’t catch. I don’t remember how many days I went back, trying to catch the dog – three or four, maybe. Until, finally, I went back and the dog was dead by the side of the road.

        I knew exactly why that dog was dead. I decided I would not be that dog.

        I couldn’t go on the way I was; the weight of what I was hiding from myself – like millions of gallons of icy seawater pressing against damaged compartments in the hold – couldn’t be kept back forever. Then, my 17-year-dog finally had to be put to sleep, and the flood swept in. Metaphor, and more metaphor. Even my old dog was a metaphor, in his own way – he came to me when I was 13, finally safe from abuse because of the changes in family circumstance. I realized later that he symbolized safety for me, sleeping at the foot of my bed, my little nervous watchdog, most of those 17 years. And now he was gone, safety was gone, the dog guarding the gate was gone, my childhood itself was finally gone. It was time for my childhood memories to come back.


* * *


        Now, all these years later ( I was 30, then; I’m 47 now – must things always happen in 17’s for me?) I had occasion to witness another persons’ return to childhood trauma – someone I love but was geographically separated from such that I could not be with her very often. I gave her what I could, making the drive to sit with her and hold her and walk with her, bringing her here to walk with me in my healing woods, listening with the ear of someone who has been through it myself. It wasn’t very much, but it was what I had. I was going through my own hormonal hell, and the mechanics of our relationship became clogged by these difficulties so that the relationship itself became a source of pain. My own childhood trauma was brought very close to the surface, seeing her pain, remembering what my own felt like so vividly that it seemed I was feeling it again, with her. It was hell, but I did not run away. And in the course of it, I thought a lot about the process of recovering memories of childhood trauma and PTSD as a whole, trying to come up with a way to understand it.

        I don’t think in very linear terms at the best of times. Things happen in my life, and they’re just shapeless masses, big confusing tents of feeling and ideas to smother in. I need to get them off me, get them away from me, to see what they are. I need to find some form on which to drape them, like a dressmaker’s dummy, and see if they fit it. I keep coming up with different models, trying and discarding, until finally I have a shape to hang things on – a metaphor that fits. Something that gives me the depth view, something I can walk around and consider from many angles. Something I can grasp, because touch is nearly the only way I can understand things, the only way I can believe.

        Here is the metaphor that came to me, about PTSD:

        I think that, when bad things happen to us as children, we make a devil’s bargain. We forget the horrible things that happened to us so that we can get on with the business of childhood, learning what we need to learn, growing in most of the ways that normal children grow. (Some children can’t do this, I think, and become the statistics we read about – the firebugs, the juvenile delinquents, the drug-addicted, the girls who get pregnant on purpose, the runaways who become prostitutes, the ones so terribly maimed they re-enact their abuse on ones who are even more helpless.) There is part of us that can’t grow, can’t go on, and it’s part of us – we can’t just leave it behind. It’s as if we had a screaming child to carry around, while the rest of our Selves went on and kept on growing, the screaming child stayed the same. You can’t get much done with a screaming child in your arms. Maybe it’s as if we put the screaming child in a wagon to drag around behind us, where it could fall asleep and stop screaming, and we could stop being aware of it. We could forget it was ever there at all. And it stayed there, an invisible burden, slowing us down, getting in our way, but only a little – just getting between us and real relationships with the people we love, keeping us from being everything we might otherwise be. It followed along behind us, an arm’s length away, being rocked to sleep as long as we kept moving.

        Then one day we came to a place of rest – a place where we had a secure relationship (or three), friends who loved us, a nice place to live, a job that was secure enough or nurturing enough an environment where we could finally sit down for a minute and take the load off. And so the motion comes to a halt. And what happens?

        The damned baby wakes up.

        Screaming.

        Now this would not necessarily be a problem if everyone else could see the baby, too. They would know that we were trying to comfort a screaming baby, trying to give it what it needs, and they would make allowances for us, and help us, or cut us some slack at the very least. But to everyone else, it’s invisible. We look like we’re crazy. The din of that screaming baby drowns everything else out and we can’t hardly hear ourselves think, but nobody else knows it’s there. We’re juggling a screaming, squirming, kicking, flailing, incredibly loud and needy and obnoxious baby that is part of ourselves – but only part – and somehow we have to keep on living our adult lives, still responsible for our choices.

        That’s where the crux of the difficulty is. Children come into the world by no choice of their own and are entitled to all the care and nurturance that they need, simply because they need it, and they are not responsible for the conditions of their lives. In the Catholic church, a child may be baptized but doesn’t become part of the Communion of the faith until he has reached the age of reason, seven years old. Until then, he can’t know what is a sin and what isn’t, and therefore isn’t responsible for what he does. I think, Catholic dogma aside, it’s a pretty good way of looking at how people grow up and become integrated into the human community – that children are innocent not because they don’t know the sins of the world, but because they are incapable of committing them. Without the knowledge of what constitutes right and wrong, a human is no more responsible for his actions than a frog is, but once he knows, he knows. Adam and Eve could never go back to the Garden where everything was provided for them and God kept them safe from pain and worry.

        I called it a devil’s bargain because what I gained may not have been worth what I lost, when I traded the entitlements of innocence for the resources of experience. Then again, it might have been. I think that every curse is also a blessing, just as every virtue is also a fault, all at the same time, like the Buddhists say – no duality. At any rate, it’s not as if I had a choice. I think it was a blessing, forgetting most of the bad things that happened to me until I was old enough to bear the burden, but it was a blessing bestowed upon me whether I really wanted it or not. Did Lazarus want to come back from the dead? Nobody asked him. It was his grieving relatives that begged for the miracle, and Jesus obliged for their sake. Maybe it’s not for my own sake, ultimately, that events unfolded the way they did – something to think about. Who do we live for, anyway, since our own happiness seems largely irrelevant? In practical terms, it doesn’t really matter.

        I put away the terrible things that happened to me; the wounds healed. The inner wounds healed, too, but like bones set badly – the way I functioned was affected by the lack of appropriate care at the time the injuries were inflicted. In emotional terms, I had a limp here, an incomplete range of motion there. I had places that the memory of pain was built in to, that I forever had to protect and defend, forever held stiff against damage, forever armored, just as if the injuries were physical. Ida Rolf – founder of a school of bodywork formally called Structural Integration but informally known as Rolfing – believed that every injury affects the whole body, not just the part that’s hurt. A sprained ankle changes the way a person walks, changes the way their body interacts with gravity, changes every body part in the flow of gravity above and below the injury and every part connected to those parts – like a snag in a sweater, the whole fabric is affected. The body develops a new configuration to accommodate the injury, and it heals that way. Later, the damage can be undone only by painful manipulation and realignment. (In Rolfing, it’s the fascia that’s manipulated to pull everything into place, and supposedly, they’ve developed gentler techniques in the years since I learned about it. The old grueling style makes a better metaphor.) That, I think is what happens when we recover memory of the earlier trauma – realignment, including the tearing of psychic adhesions so that function might be regained. Not healing in the original sense, because the old wounds have healed, for better or worse. Just – realignment. Getting the stuck places unstuck, however painfully.

        Getting that screaming baby unfrozen in time, now that it’s woken, like Rip Van Winkle, from its long uneasy sleep.

        I wasn’t the best caretaker for my own screaming baby. I hated it, resented it, thought of it as disgusting and useless and a horrible monster – just exactly (no doubt) as my mother had thought of me. I did for it what I had to, gave it what care I could, grudgingly. I didn’t have very much in the way of resources. I didn’t have anybody to take care of me but myself and my partner, who did what she could, or at least, what I would let her do. It’s always been hard for me to accept help – partly, I suppose because I don’t think I deserve it. Partly, because I can’t let myself be that needy and therefore vulnerable – if they know what you need, the voice whispers in my ear, they know exactly how to hurt you. The screaming baby received enough of what it needed (in spite of my poor care) to get unstuck in time and began to grow again. It stopped screaming. I thought I was done with it.

        Famous last words.

        Isn’t it one of those facts of life (not being very familiar with real live infants, I can’t say for sure) that if you bring one screaming baby into a room, pretty soon every other baby in earshot will be screaming, too, out of sympathy?

        Hmmm.

        Now, I am not a big fan of the “inner child” metaphor. It seems way too handy a concept for the smugly overeducated to explain away ordinary narcissistic self-indulgence – “I had to spend $1000 on a ski weekend in Aspen – my inner child needed to play!” But for people in PTSD crisis, or for those of us who have spent years trying to undo the damage of an abusive childhood, it can be useful framework for understanding.

        Daniel Pinkwater, a writer of children’s books, explained in an interview that he had no children and that he wrote therefore for the child he had been. The ten-year-old he once was lived inside him still, and so did the six-year-old, and so did the fifteen-year-old. I think he’s got something there. It’s not as if there was one inner child still living inside us: they’re all still there, all the children we were at every stage of growing up, a line made of an infinite number of points leading back to conception. (Likewise, I think the person I will be lives inside me waiting to come into being – all the ages, all the infinitesimally small transitions in a line leading to my death. Not that it matters here.)

        At any rate, in proximity of someone else’s screaming baby, mine woke up, but now it wasn’t just a wordless cry. I don’t know if that hurt part of me had been able to make some progress, or I was just meeting up with an older version of that inner child. It had something to say, not that I paid any attention to it, and it was yelling so loud I couldn’t hear anything else. I couldn’t think straight. I couldn’t pay attention to my partner whose daily life went on around me like traffic on a busy road swarming around a breakdown in the middle lane, all the drivers screaming and honking. I couldn’t pay attention to my friends or my work or my animals. I couldn’t pay attention to the very friend and lover I was (intermittently) trying to take care of. What could I do for the damn screaming thing inside me, anyway? I told it to shut the fuck up.

        All the while, the woman whose PTSD I had come along just in time to witness was doing exactly the opposite of what I’d done – lavishing care and attention on the hurt part of herself to the exclusion of nearly everything else in her life. Not that it was any surprise that she should do so; we were opposites in may ways, exactly complementary to each other, and now I can’t help but think that it’s not that opposites attract. It’s that they keep being thrown together by the cackling Fates. And those old broads have a truly perverted sense of humor.

        Then again, if not from the people at the opposite end of the scale, who do we learn from?

        I should point out that I am not a calm person. I feel things strongly and I can’t keep from showing what I feel. If I were a dog, I’d be what they call “high-strung.” Not an absolute freaking maniac like the panting wagging dynamo sitting at my feet as I type (the laptop sets her off, for some reason) – just high-strung. I can put my feelings aside for a while to do what needs to be done, but they don’t go away or get any smaller. It doesn’t do me any good to imagine putting them on a bus and sending them on their way; the bus just circles the block and drops them off again. I need a calm person like my partner around me, to anchor and steady me. I ought to devote myself to learning such a middle way, myself, if only by acting “as if” I were reasonable and calm and methodical and determined, hoping that it will rub off. But I don’t know how she does it. I don’t get very far.

        But someone just as extreme as I am, occupying the position a hundred and eighty degrees away? I see what somebody like that is doing and I am horrified! worried! offended! saddened! But maybe...maybe...the extreme I occupy could, well, give a few inches. Maybe if I edged a little closer to the center, the world wouldn’t end.

        So I find myself considering that screaming child inside me, now with a little distance and perspective, having finally gotten a mirror to look in and see what was going on from somebody else’s viewpoint. (I think we have only a limited ability to see ourselves clearly; we need other human beings to complete our view of ourselves.) I can hear the words I was unable to make out before, the chorus of “I need! You promised!” that made my best efforts at being someone else’s caretaker something less than effective. I can see how the situation I’ve been in this past year unfortunately mirrored some of the worst aspects of my childhood. Buttons were pushed. Horrible disastrous landslides of extremely unpleasant emotions were experienced, and passed on (no one is thanking me for sharing). I watched the process of someone going through something very much like what I went through, all those years ago, as her screaming child completely took over her life (or so it seemed to me). Part of me felt envy – I wish I’d had even half of those resources. And part of me recognized that her extreme may not have been any wiser a course than mine was, it’s just what character and circumstance and available resources made likely. Choice entered into her path of recovery no more than it did in mine. Now that the screaming child inside me has stopped for a minute to catch its breath, I can think about the choices in front of me, for when it starts up yowling again. I don’t think I could ever just let it take over my life, but maybe I could stop trying to bully it. Maybe I can let myself have an afternoon of doing nothing but watch TV now and then. But I believe that the screaming inner child actually needs the outer adult – the brave and strong and reliable grown-up I have become – in order to find nurture. I can’t depend only on other people; I still have to depend on myself, and believe in my own capabilities.

        It was hard, getting through the crisis of remembering childhood abuse, and it was harder for me than it might have been if I’d had more help and less responsibility. But if every curse is also a blessing, so is this one. I had to remain functional for the sake of my loved ones, so I found my own methods of coming to grips with what was happening to me, ways of wrestling with my demons, to drag out yet another metaphor. I got myself back – got my Self back – quicker than I might have if I’d had all the time in the world to be gentle with the injured parts of me – like people with lower back injuries. Doctors used to prescribe bed rest and muscle relaxants, and back injuries could linger on, incapacitating their sufferers for months. Now they make the poor fuckers get up and exercise. It hurts like a son-of-a-bitch, but it works. Maybe PTSD can be like that, too. And maybe because I had something real to fear – losing my beloved companions – I had more courage to face the path ahead of me, as if I had to cross a narrow rickety bridge over a horrible chasm, and behind me were not the possibly imaginary demons of my childhood abuse (which I was never sure I didn’t make up, anyway) but real wolves.

        In the last few months I’ve come to some valuable insights that I might never have gained otherwise. I have always recognized a great resilience in myself; I can keep on ticking no matter what, get knocked down and pop right back up, over and over. No matter how awful things are, I have never felt they would destroy me. I just hated the pain and wanted it to be over, and the idea that the pain might just keep on coming forever, like Prometheus getting his liver pecked out only to have it grow back and get pecked out again – that was enough to make me think of suicide, and escape. I am incapable of believing in anything I can’t touch and smell and I don’t trust the evidence of my own senses, I have no faith whatsoever in other human beings, I despair that any promise anyone makes will ever be kept if I have to wait more than five minutes for it, but I believe in my own strength. I can make promises and trust myself to keep them, because I am not afraid of pain and hard work and difficulty and even failure. (Failure only means trying again with a bigger hammer.) I have realized for some time that one of the reasons I get satisfaction out of BDSM play as a masochist is that I am reassured of my indestructibility; it gives me a sense of triumph. Now I realize, it’s more than that. When I was in massage school, I realized one day that the agitation I experienced before a test was not really anxiety at all: it was excitement, because I was good at it and knew that I would not only pass, I’d get to show off a little, priding myself on always putting my instructors to sleep. Now I realize that the exhilaration of a heavy beating is not just endorphins, not just the triumph of surviving. It shows me how strong I am, how complete my belief in myself, how shining my own courage. How worthy I am, in all the ways that count to the animal inside me for whom survival was the only prize that mattered. I wouldn’t know this at all except for looking in the mirror of someone who has no such faith, for whom suffering seems to mean destruction. I thought strength of will was the only kind of strength that mattered. It was a terrible tragedy for me, to learn as a child that pain and suffering are commonplace and endurable, but it was also my greatest gift. Getting hurt once or twice or a handful of times makes you afraid of the next blow, always waiting for it to come and never knowing where from. Getting hurt over and over again, a whole childhood’s worth of hurt, makes you learn to absorb the impact, dodge the blow, cope and move on.

        Every curse is also a blessing. Every virtue is also a fault. Life isn’t fair and yet how often everything comes to a perfect balance. Everything is random but nothing is coincidence, and in the end, it’s all a devil’s bargain because only God and the devil can read the fine print, and God isn’t the one making the pitch.

        And I’ve had enough of metaphors for now.

v v v

 

As if this wasn’t already long enough, a poem from the time when my childhood was coming back at me:





Years Without Faces Come Back


After all these featureless years, all clean and bland, my
memories are coming back like ants – swarms of small
black things, nothing more than aggravating, bearing away
tiny bits of time, energy, consciousness. But no: this is
no picnic, life, and my memories

are coming back like teenage pranksters, spraypainting
obscenities on my lace-curtain past, leaving me
numb with incomprehension, no recourse and no repair.
But this is nothing random, no petty malice,
and my memories are coming

like brownshirts to shatter everything I own,
and even in the stillness that is left, where my life’s fragments
have been ground beneath jackboot heels,
I have no anger, am only grateful
that they did not come to take me away this time
like the other helpless ones who could not hide,
could never escape
from the remembering

      

    

   



 
 

 

 

 

 

 

 

Ó Skian McGuire 2005